Free Legal Musical Databases

Free musical databases are where we can find information about the music we like. They are a collaborative effort of individuals or organizations to promote awareness of musical compositions. There are many types of online musical databases. Some store samples of music for the identification of tracks. Some store the track data of music from compact disk databases. Some databases store the whole tracks for distribution, as commercial or free consumption.

Here is a list of free musical databases and some information about them.

• Gracenote – Gracenote is one of the pioneers in the musical database industry. They have the largest selection of digital identification information. Allowing users to identify their digital music for use with their other digital platforms. Gracenote has now evolved into a more software-based company, providing identification services to Apple’s iTunes, LG and AT&T. They are also involved in the software/music identification of car stereo systems for car companies such as General Motors and Ford. Their free service is still access to their free musical database. Their database is the largest, with over 100 million songs listed.

• Allmusic – Allmusic has more than 20 million songs listed in its database. It is a large collection found online. This is a music news and review website. Their service is about providing consumers with the most relevant and in-depth coverage of musicians, their music and influences. They also provide detailed information about the music they produce. This covers the images associated, the album the track is listed on, when it was released, the credits associated, the genre, the title and track number. All of the songs listed in the database allow users to properly identify the selection. Their free service is covered in the information of the user’s tracks. They also allow comparison with tracks, with their free sampling. However, their selection is only sample-based. It runs for only a short period, providing users with just that, a sample of the music.

• Discogs – Discogs covers the information for more than 21 million tracks. They also provide the information for a huge number of musical content. It was originally designed to be the definitive listing of electronic music. It later evolved into being an arena to buy and sell records, prominently, vinyl ones. The service has undergone many versions, being a paid service at times, but now it has settled into being a free service and open market. This is one of the best online musical databases around.

There are other free musical databases online. However, these three are the most comprehensive overall. The other databases are more specialized in their coverage. Focusing on different genres or artists like classical artists, foreign artists, open content, musical sheets and lyrics.

There are also free online music streaming services which can be considered free musical databases. There are also some online services which are free and can be considered free musical databases. YouTube is a large repository of videos uploaded by users. Its database is immense, and there is a large chance that it contains the music you are looking for.

Legal Music Downloads

Downloading music from the internet is a fast, easy, and inexpensive way to expand you music library. Music downloads can even let you listen to music that you wouldn’t otherwise have had access to. The only problem is that there have been so many illegal music download sites in the news that a lot of us are afraid to get any music online.

The legal repercussions of downloading music from an illegal site range from annoying to devastating. Even if you don’t realize that music downloads you’ve been enjoying were from an illegal site, you can be held liable for having them on your computer.

How can you be sure that you are getting legal music downloads and not files that will get you into legal trouble? The best way to go is with a well-known and reputable site that charges you for the songs that you download. By downloading your music from a site that you know and which provides music legally, your can eliminate the risk of having illegal files on your computer.

Two of the most well-known paid download sites that most of us already know about are Napster and iTunes. These sites offer you the convenience of downloading music directly to your computer to listen to on your portable music player. You may even be able to use your purchased tracks to burn CDs for backup purposes.

Which of these sites will provide you with the best quality downloads for the best price? They’ll both provide you with easily-accessible music download options, but there are some significant differences in ease of use, price, and overall experience.

Napster is well-known as one of the most famous previously-illegal music sites. The takedown of Napster’s illegal music download service was felt all throughout the Internet community. Napster then came back as a legal service, which has cemented its reputation as one of the world’s leading music download services. Napster’s intuitive site design and huge library of over 5 million tracks let you choose the music that you what and the method of listening that suits you.

Napster lets you either stream music directly from the website for free (up to fives times per track with no downloads allowed) or pay to download your favorite songs. If you choose to download your music, you’ll have the choice of using them only on your computer or loading them onto your portable music player.

The good points of Napster are its ease of use, its attractive and intuitive user controls, and the fact that it allows you to stream full songs for free (up to five times each).

The price points of Napster’s paid plans are higher than other comparable services. If you choose to download your songs to a CD, you’ll pay additional 00 cents each on top of the monthly subscription fee. The songs are in WMA format, so you won’t be able to play them on your iPod or some other MP3 players. And perhaps the biggest negative of all is that when you cancel your Napster subscription, you lose access to all your download music.

iTunes is well known for being Apple’s digital music product.It’s free to download and doesn’t require any monthly membership fees. Every music purchase is made on an individual basis, whether it’s one song or an entire album. You can burn CDs from your purchased music, and you can play purchased music on up to five computers. iTunes is, of course, compatible with iPods. Its interface is attractive and ease to use, and the program’s library makes it simple to organize your music. The songs that you download are yours to keep and don’t go away when you stop using iTunes, which is a huge benefit that it has over Napster.

On the down side, iTunes can take up a lot of memory when it’s running. The songs you’ll get from the iTunes store are in a proprietary format that can’t be played in other types of MP3 players or with other software on your computer. There is no subscription service available, which a lot of music lovers fell would help to round out the offerings.

Overall, both services have a lot to offer. Although Napster’s unlimited downloads are cheaper in the beginning, you end paying more per song that you want to keep permanently or burn to a CD. On the other hand, this allows you to try out lots of music before deciding which tracks to buy – something that iTunes doesn’t offer.

The choice is yours, and it can be a hard one to make. The best way to decide is to take advantage of Napster’s free introductory offer and compare the two sites before committing to one or the other.

MP3 Download Free iTunes – Ways on Downloading MP3 through Free iTunes

iPod has reached so far in entertainment business. Using iTunes, people can now download all their favorite songs. One of the most popular features in iPod is mp3 download free iTunes. That is downloading your favorite songs in mp3 format via the freeware iTunes.

Downloading MP3 for iPod

There are several ways in getting mp3 for your iPod. These are categorized into two: legal downloading and person-to-person sharing. These two differs in cost, way, and quality.

The legal way of downloading mp3 for your iPod mostly means paying the site for your copy of the song. The average price for legal mp3 download is $1. This is not a painful price for anyone’s pocket, right? But why pay if you can just get all the best songs without even spending a single cent? That’s with the person-to-person sharing.

Person-to-person mp3 sharing is done through the use of networking sites or file sharing sites. Here, registered site users upload their music and share it to people that are also registered in the same site. The primary purpose of this is to provide people with a reliable network where they can provide and have all the music that they want. People here also share other multimedia like photos and videos.

Now, where can you find legal mp3 downloading sites and the person-to-person downloading sites?

Legal mp3 Downloading Sites

Here are few of the best legal mp3 downloading sites:

  • iTunes. This is, of course, the real service for your iPod, what else but iTunes. Here, you can find thousands of songs, movies, TV series, audio books, and a lot more. However, every download from iTunes has a price depending on the file you want to have. But here’s the good deal. iTunes regularly offer free songs for all iTunes user. That is only done per week and the free song is chosen by iTunes staff. But who knows, the next free iTunes song maybe your favourite mp3.
  • Yahoo Music Unlimited. This site provides you cheaper than iTunes mp3 and other downloadable media for your iPod. Yahoo also offers free music trial. You will surely enjoy their free service for 14 long days.
  • eMusic. This is one of the most popular music downloading sites having at least two million stored songs waiting for your pick. And take note, eMusic gives Independent labels from every point of the world. You can also try their service for free by giving you up to 25 free and legal mp3 download for you iPod. How about that?

Person-to-Person Sharing

For personal sharing of music files worldwide, these are two of the best sites:

  • iMesh. This is a social online network that lets file sharing like mp3s. All you have to do is register in iMesh and download the uploaded songs by different users around the globe.
  • Esnips. This is also an online social network which provides free 1 gigabyte storage capacity for every registered user. You can save here blogs, pictures, videos, and music. All these files can be shared to all of registered Esnips users.

These are all the ways you can do to have all your wanted mp3. At least, you’re not just confined with mp3 download free iTunes.

Zimbalam Digital Music Distribution and Selling on iTunes

Music has not lost its inherent character ever since the times of prehistoric percussion, but recording media is becoming more and more intangible. MP3 is gradually replacing the CD, record stores are disappearing and giving way to web shops, and search engines are now taking the place of the guy at the record store who used to tell you where to find the record you were looking for and also told you who was hot or not. Even though it’s not the case yet, soon iTunes, Napster and Amazon will surely sell more music than physical stores; and they have a great advantage over “real” shops: there’s no need for a warehouse anymore, the stock stays on a server and it can be replicated endlessly.

These developments affect the key players in the music industry and the role they have in the process of marketing an album. Until now, once the record was mixed and mastered, the artist depended on the financial support of a label to replicate a great number of copies and to dispatch them to the dealers. Both of these tasks are on their way to disappearing thanks to online music sales and service providers like Zimbalam. is the “mass market” version of Believe Digital, a record label with its own artist roster and, at the same time, a special service provider helping traditional labels bring their catalog online. The idea behind Zimbalam is very simple: they put your songs in 20 online shops in 240 countries for a fixed rate under a non-exclusive distribution agreement. Having your demo on Napster, Amazon and iTunes is now possible for only £19.99 (two tracks) or £29.99 (three or more tracks).

One of the best surprises Zimbalam has to offer is that you get 90% of the royalties generated from the retail price, which means real money in the bank for each sale. If you sell two songs at £1.49 each, at the end of that quarter you’ll get around £2.20 from the sale. You can also claim back an additional percentage of the sale as a song-writer’s royalty through the PRS, to further increase you revenues. Excellent royalties, absurdly low prices and a non-exclusive agreement? It seems too good to be true. That’s why we went to Believe Digital’s offices in Paris (France) to learn more about Zimbalam and to test their services. We met Denis Ladegaillerie, a skilled lawyer who has worked for Universal Music US, eMusic,,, and is co-founder and CEO of Believe Digital.

He was very straightforward when asked about the reasons for founding Zimbalam:

The record industry is like a pyramid: you’ve got lots of artists starting out their career at the bottom and a few top-selling artists at the top. The pyramidal structure reflects a decrease in the number of artists as you move from one development stage to the next according to your notoriety, and the services you need to go on to the next level. When we started Believe Digital, our digital distribution service wasn’t really at the bottom side of the pyramid (Editor’s note: Believe Digital helped record labels sell their catalogs on the web), and we developed in two different directions: on the one hand, we went to the top of the pyramid by doing the same things as a traditional record label (promotion, web, radio, and TV marketing) and, on the other hand, we expanded downward with Zimbalam. Last year, for example, we received about 50,000 demos at Believe and we signed 200 deals. From those 200 artists we signed, some of them will make it and others won’t. But it’s the same thing with the 49,800 artists we didn’t sign: we can’t really know if they will succeed due to some other reasons. For example, one of them could work for a big communications group like Publicis and manage to license a tune for a Mercedes ad campaign, or another one might know the film editor of a big TV group and get one of their tunes to be the theme song of a new TV show. So an artist we overlooked could become a success for one of these reasons.

That’s why we decided to mix everything at Zimbalam… Still, the quality of the 49,800 demos we receive is not always the best. Moreover, I know Apple refuses certain applications for the App Store. So my guess was they were also picky when it comes to the iTunes’ music catalog, right?

Imagine my surprise when I found out that they accept everything when it comes to music. iTunes has been receiving demands from lots of artists hoping for a distribution deal for three years now and they’ve had some logistic problems so they forwarded them to us. When we told them we had already signed 200 deals from the 50,000 demos, they gave us hell and even threatened to stop working with us because they wanted everything.

Do they want to be the biggest?

They want to have the largest catalog. They also work on two levels: take, for example, a 15-year old girl whose parents paid for a recording session in a studio for her birthday. Telling her friends and relatives about it she might sell 15 or 20 downloads, but that actually generates a profit because logistic costs are so low. Even if she doesn’t sell enough to make a profit, she will contribute to the education of the people, because she will prompt her friends to pay for music instead of downloading it illegally.

Moreover, the content that could be considered “undesirable” is not a problem, given that not all songs are visible. On the iTunes start page there’s an editorial selection. Behind that you can have 300,000 or 1 million dubious quality artists and it’s not going to bug anyone.

The best way to make it through all that is with good communication and marketing strategies. What does Zimbalam offer in this regard?

With Zimbalam, we wanted to offer a clearly distinguishable service: we take care of the technical part but we don’t do any marketing or communication at all. You get a MySpace compatible player (Editor’s note: soon available for Facebook too) that can be embedded in all HTML applets, because we know it’s one of the most effective tools to convert your efforts into sales, but that’s it! Nevertheless, we have plans to offer some sort of individual artist microsite but we’re still in the developing stage right now.

There is no such Internet miracle…

From what we have seen, digital marketing is very similar to standard marketing: to promote an artist he has to be aired on the radio and highlighted on the Dailymotion, YouTube or iTunes home page. And you have the same bottlenecks in the digital world as in the real world: you can only put so many artists on the iTunes, Yahoo or MySpace home page. The people responsible for making the selection won’t promote an album if it hasn’t a certain quality level… In the end it’s the same story all over again.

Is it possible to switch from Zimbalam to Believe?

We follow download statistics – provided to us daily by iTunes – very closely so that we can discover an artist as soon as something starts happening around him. When that happens, we can contact him to propose a marketing campaign with Believe.

So, if I have £10,000 to make a record, does it make sense to spend £5,000 on the production and use the other half of my budget to buy my own songs in order to draw attention?

That’s something we’re fighting against. We’ve seen a lot of that going on in Italy. But that’s totally useless because iTunes has all the information about the buyer (credit card number, login, etc.) The funny part about it is that the people who do that usually buy songs in round amounts…

And what about non-exclusivity? That’s something not very common in the record industry, is it?

Yes, but if you already paid Zimbalam to put your song on iTunes it doesn’t make any sense to try to upload it again to the same store through one of our competitors.

You have no presence in services like Deezer. Is it deliberate?

Yes. Right now, every time a song is streamed on Deezer it brings between 1/10 and 1/15 of a dollar to the composer. It didn’t seem financially interesting for the artist, from our point of view. Especially considering Deezer tends to cannibalize the MP3 market.

Do you pay attention to copyright, for example, to check if the songs being uploaded are registered in a collecting society?

We aren’t paying much attention to whether or not our clients are members of collecting societies because right now European distribution services pay collecting societies without distinguishing between members and non-members. So every time a tune is bought for £0.99, the corresponding collecting society gets seven cents in mechanical royalties, regardless of whether the composer is a member or not. If we were to ask all online shops to give us the amount corresponding to non-members so that we could give it directly to artists who aren’t affiliated to a collecting society, they wouldn’t be able to do it.

So you’re saying collecting societies receive money that doesn’t belong to them?

Yes, but they know who the money belongs to, so if that artist becomes member he has two years to claim his royalties. We would advise all our UK artists to register with collection societies wherever possible as the benefits are not limited to just additional royalty collection, societies such as the PRS in the UK have many additional member discounts and free services that independent musicians can benefit from, they are also free to join.

(Editor’s note: I called the French collecting society, SACEM, to ask them about this matter and they denied getting paid for artists who are not in their repertoire. I guess the best way to find out what happens to that money is to go ask Apple directly.)

Could it be useful for an artist to have songs in different online shops to become a member of a collecting society like, say, SACEM?

I actually contacted the French collection society (SACEM) to ask about that and they told me they are considering the possibility of artists becoming members if they reach a given amount of sales. But it isn’t possible yet…”

Zimbalam and me

After this chat, I had to test the quality of the service provided by Zimbalam to see if it really is what they say it is. I took two demo songs and a CD cover made with Photoshop and signed up for the £19.99 two-song pack. The back office, from the uploading of songs to the online management of content, is very clear and well thought out. You have the possibility to monitor your sales in real time (at least on iTunes) and to check your account statement as well as your agreement with Zimbalam. Do keep in mind that all data assigned to the files can’t be modified once the songs have been uploaded to the online shops, which takes somewhere between two and six weeks depending on the shop. So pay attention to that, especially considering that the different shops don’t always faithfully reproduce the information you originally entered. In my case, my artistic name “[nwaR]” became “Nwar” on iTunes because Apple’s catalog specifications prohibit the use of special characters and the free use of capitalization. It’s a pity considering that “Nwar” makes no sense and that Fnac and Amazon do display the name [nwaR] correctly.

When it comes to pricing strategy, it varies from one store to the other (only French stores tested). On the online form I selected EUR0.99 as the price per song and EUR1.49 for both songs, but only iTunes seems to respect my will. As a consequence, buying both songs on costs EUR1.98 while Amazon set the price per song at EUR0.79. When I contacted Zimbalam they told me I will always get the same amount from all stores given that Amazon has a very aggressive sales strategy and they cut back on their profit margin. I’ll have to get back to you on that matter because payment is due quarterly and I haven’t received the first bank transfer yet.

I should note though, that in the UK market and across Europe, iTunes is the store with the most different pricing brackets available so artists are likely to see a slight differentiation between the price of their release on some stores. This is mostly applicable to releases priced in the mid-range (EPs and mini-albums) as this is where iTunes has more options than most stores and the stores without the same pricing plateaus will simply sell the release at the nearest level they have, which could be around £1/1 Euro more or less than the specified sale amount.

What’s even more annoying: I specified that the album cover was licensed under a Creative Commons License but my songs got classified as Creative Commons – probably due to a parsing error – even though I clearly stated the author and composer (Arnaud Cueff) before uploading.

Let’s Start Selling!

As we mentioned in the interview, Zimbalam gives you a player you can embed in your MySpace, or any other website, by copying and pasting a small HTML source code. The player is well conceived, freely customizable (particularly regarding size) and it not only provides access to online stores, but also to the artist’s bio or even to a video clip. A Facebook version is due soon and I couldn’t use it on my WordPress blog because WordPress deactivates Javascript components for security reasons. I did however manage to embed it by installing an open-source WordPress on a Free server.

Still, a well-designed player and an outdated blog due to lack of time aren’t enough to become the new chanson star. Apart from the excitement of reading your name listed on iTunes when you look for it, you’ll surely understand what Denis meant when he said that Zimbalam simply provides a technical service. Even if I convinced my friends and family to buy my album, my sales figures wouldn’t rise much and I still wouldn’t be any more interesting than before when it comes to signing a record deal with a label.

To be successful I would have to improve the ranking of my website, create buzz around my music, find as many listeners as possible, and play gigs. Maybe then would Zimbalam allow me to earn some real money.

But the deal is fair enough: 20 shops for £20. I can’t wait to get my royalties at the end of the quarter. You can be sure I will show you my bank statement when I get paid. I have no way to know if I’ll be able to afford a beer with the money I earn, but I’m positive about the fact that people who promote their songs can get real benefits out of this kind of service, and maybe even more with a bit of luck…